Andrew Clements
“Writing
for children is a great privilege, and I am grateful for it.”
I only remember one English teacher from high school, Mrs. Rappell. With
her help-more like her insistence-I discovered I was good at writing. But
frankly, I was lazy. I only wrote when I was inspired. I wrote about thought
sand feelings of the moment. I wrote when it seemed to come naturally. I
didn’t spend much time at it, and apart from essays and papers during
college and graduate school, writing was little more than a hobby.
Music first.
All through the seven years I append as a teacher I continued to write,
mostly poetry and songs. My wife and I began performing my songs, and we
moved to New York to see if there was a career in music for us. I wrote ten
or twelve new songs during our first few months in the city. That was the
first time I had ever really worked at writing in a sustained way. Our career
in music never happened, but the songs and the writing experience remained.
Then
I went to work for a children’s book publisher. Writing tasks came
thick and fast: catalog text, flap copy, advertising copy, story summaries,
letters to authors and illustrators, even business plan writing. My colleagues
came to depend on me for a lot of the company’s writing. And one day
the publisher asked me to write a story for an illustrator who needed a project.
That became the picture book Big Al, and my career as an author
was off and running, or at least off and meandering.
Picture Books
I’ve written a lot of picture book texts. The picture book is a small
container-typically abut a dozen page-turns from start to finish. It’s
a real challenge to put a substantial idea into so small a package. The story
must be told economically, simply, and dramatically.
Yet, the language must be rich enough to evoke an illustrator’s best
work. I continue to write picture books, and expect I always will.
Is writing easy?
While I was visiting at a school, a fifth-grade boy asked, “When
does writing become easy?” I had to tell him the truth. Never- at least
not in my experience. It takes discipline to write. It takes some doing.
To write something, sooner or later I have to go off by myself and put one
work after another, word after word after word, until it’s done.
I recently figured out that if I took all the worlds in my first novel, Frindle,
and ran them end-to-end with no paragraph or chapter breaks, I would have
one string of words as long as a three football fields. And now, when I get
to chapter six or seven in a new novel, I say to myself, “only two
more football fields to go.”
But when the
writing goes well, I don’t think about counting the words. I get drawn
into the lives of the characters, and into building a world for them to explore.
I usually have an idea of where a book will end up, but sometimes I am surprised.
I often start with a simple idea, a “What if?” situation. What if
a boy decided he was going to make up a new work? What if a girl began to
publish her own newspaper? What if a boy’s father was the janitor at
his school? Once a character is placed in a particular situation, then it’s
simply a matter of continuing to answer this question: “What happens
next?” Answering that question leads me to the end of the story.
I have learned that I cannot sit around and wait for inspiration. I have
learned to begin working, and let the inspiration come from the writing itself.
The old rule, ‘Never stare at a blank piece of paper,’- or a
blank computer screen – is a good one. Beginning is important. If I
can get a story started, the ending will come.
No
writer is self-created. I have many debts. I owe so much to my wife, Rebecca,
and our four boys fro the joy and stability that fuel my work. I owe so much
to my parents for making good books a part of my childhood. I owe
inspired editors who have helped me again and again. I owe the words of the
Bible. I owe Shakespeare, Yeats, E. B White, Bob Dylan, and Margaret Wise
Brown. And of course I owe the teachers and librarians and parents who have
chosen to share my books with children.
Writing for children is a great privilege, and I am grateful for it.
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